Ibanez SR305EB Basse électrique 5 cordes - Noir patiné

Caractéristiques

- Manche 5 pièces Erable/Noyer
  - Fournit une clarté tonale et une attaque supérieure.

- Pont Accu-cast B120
  - Fentes pour cordes extra-larges s'adaptant même aux calibres les plus lourds.
  - La nouvelle conception de la plaque de pont emprisonne efficacement les selles, assurant une parfaite uniformité directionnelle.

- Micros PowerSpan Dual Coil
  - Développé par Ibanez avec pièces polaires exposées.
  - Produit un signal plus fort et augmente la réponse des fréquences plus élevées sans sacrifier les basses fréquences.
  - Donne un ton riche en détails harmoniques et en expression dynamique.

• Ibanez Custom Electronics EQ 3 bandes avec interrupteur Power Tap à 3 voies
    - Fonctionne en conjonction avec un interrupteur à bobine pour un contrôle maximal sur une grande variété de sons de basse professionnels.
    - Mode Tap (single coil) : Crée un son percutant et dynamique avec une articulation supérieure.
    - Mode série (humbucking) : délivre un son plein et chaleureux.
    - Mode Power Tap : Combine la clarté du single coil avec la grosse extrémité inférieure du humbucker.

Specifications

• Neck type: SR55pc Maple/Walnut neck
• Top/back/body: Nyatoh body
• Fretboard: Jatoba fretboard with White dot inlay
• Frets: Medium frets
• Number of frets: 24
• Bridge: Accu-cast B125 bridge
• String space: 16.5mm
• Neck pickup: PowerSpan Dual Coil neck pickup (Passive)
• Bridge pickup: PowerSpan Dual Coil bridge pickup (Passive)
• Equalizer: Ibanez Custom Electronics 3-band EQ with 3-way Power Tap switch
• Factory tuning: 1G, 2D, 3A, 4E, 5B
• Strings: D'Addario® EXL165 + .130
• String gauge: .045/.065/.085/.105/.130
• Hardware color: Black

Neck

• Scale: 864mm/34"
• Width at Nut: 45mm
• Width at 24th Fret: 68mm
• Thickness at 1st Fret: 19.5mm
• Thickness at 12th Fret: 21.5mm
• Radius: 305mmR

Guitar Neck Diagram
a: Width of the neck at the nut
b: Width of the neck at the fret position specified by the neck dimension
c: Thickness of the neck at the first fret
d: Thickness of the neck at the fret position specified by the neck dimension
Radius: Radius of the fingerboard

Controls

With the bass held in the playing position, there are three small knobs closest to the lower edge of the body. Directionally, from the lower bout towards the neck knobs are treble boost/cut, mid boost/cut, and bass boost/cut. There are two larger knobs above these, closer to the bridge. The knob closest to the neck controls volume, and the knob next to it is the pickup balancer control. There is a 3-way power tap switch next to the balancer knob. When the switch is in neck position, the humbuckers are tapped. When the switch is in center position, the humbuckers are in series. when the switch is in bridge position, the humbuckers are in power tap mode, which is tapped with additional low end added.

Frequency Response

The bass boost/cut frequency curve has a peak at 20 Hz, the variable width becomes smaller toward the high range, and the variable width becomes zero at about 1000 Hz. The variable range becomes slightly larger in the high range than around 1000 Hz, but it becomes zero again near 5000 Hz. The variable range of the peak frequency is approximately ±15 dB. The treble boost/cut frequency curve draws a mountain-shaped curve with a peak at around 10,000 Hz and zero variable range around 100 Hz. The variable range of the peak frequency is approximately ±15 dB. The mid-boost/cut frequency curve creates a bell-shaped curve with a peak around 450 Hz, and the variable width becomes zero near 20 Hz and around 10,000 Hz. The variable range of the peak frequency is approximately ±15 dB.