Réverbération numérique Keeley Aurora

Chez Keeley Electronics, l'Aurora Reverb devait répondre à certains critères précis. Il devait être abordable sans compromis sur la qualité audio. Il devait être facile à utiliser et inspirant pour les guitaristes. Et il devait offrir les éléments essentiels pour adapter votre son sans avoir à apprendre une douzaine de boutons. Maintenant réalisé, nous sommes fiers d'offrir un véritable contournement, un chemin analogique 100 % sec, un processeur de réverbération haute fidélité 24 bits à faible bruit.

ET CELA A L'AIR SUPERBE !

En fait, lorsqu’on m’a demandé s’il proposait des « sentiers », je n’ai pas pu m’empêcher de penser : « Pourquoi auriez-vous besoin de sentiers pour une pédale que vous ne voudrez pas éteindre ? »

Les commandes suivantes offrent tout, des réflexions immaculées et rapides aux espaces éthérés en passant par les cavernes profondes, sombres et sans fin.

Specifications

The Toggle Switch – The three most popular reverb styles that don’t come built into your amplifier are

Room, Plate and Hall. In the smallest footprint possible, we offer what used to take up a recording studio room or an entire city block.  You can achieve cathedral resonance, enormous surface areas of sheet-metal plate sounds or convincing room decays. Room sizes range from something like a broom closet to that of a barn. (And I also want to add that careful adjustments to the

Room settings yield a signal bordering on the verge of spring reverb, so if your amp doesn’t already have a tank, we’ve got you covered.)

Decay – Decay controls the amount of time it takes for the reverberated sound to disappear. Ours provides a range from a realistic, close-quarters reverberated dimension to a “walk-away-and-come- back in a while” signal of complex, still-ringing musical reflections.

Slapback – Slapback is what we call pre-delay. Pre-delay creates distance. How soon or late you hear the first reflection is crucial to crafting the reverberated space. Sometimes you do not want any delay between your note and the reverb. And sometimes, for clarity’s sake, you want the reverb to wait a moment before joining the dry signal.  Such a setting enables  short, staccato, single-syllable type expressions to finish articulating before being suffused AND joined by the tail-end of previously reverberated sounds.  The Slapback setting adjusts from zero to 100 milliseconds. When the illusion of infinite space is required, set your Slapback to zero and you’ll streak vividly away like Dr. David Bowman breaking free of Jupiter’s gravitational pull.

Warmth – Dial up the warmth. Unlike most tone controls, ours is a dampening control and increases the warmth, as it is rolled up. Its brightest setting is when completely dialed down.

Blend – Blend will take your 100% analog dry signal and blend in the reverb, from just the slightest mix of wet to much more. We suggest you place it at the end of your pedal chain and use the Blend Knob to tailor your sound.